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UID:20260527T031306CEST-3381anvKnz@Saalfelden-Leogang.com
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DESCRIPTION;LANGUAGE=en:M M M: W A S ___ 0 1\, 1 - 6 6 Score Meter (2 0 2 5
 ) New adaptation of the score and performance at the Saalfelden Jazz Festi
 val (2026) \n\n\n\n\n\nTransformation and insight – concept and realisatio
 n – evolution and ignorance.\n\n\n\nAustria\, Slovenia\, France\, Vietnam
 \n\n\n\nMMM: \n\nMathia*s Lenz - conzept and realisation \n\nMaja Osojnik 
 - conzept and realisation \n\nMatija Schellander - conzept and realisation
  \n\n\n\nGuests:\n\nAymeric Avice - trumpet\n\nCuong Vu - trumpet\n\nLeo R
 iegler – clarinet\, turn tables\n\n\n\n“WAS___” marks the beginning of a t
 en-year interdisciplinary journey through space and sound by MMM (Maja Oso
 jnik\, Mathia*s Lenz\, and Matija Schellander)\, starting with the first 6
 6 meters of a graphic score. The project explores how a visual score can b
 e understood as an open\, multimodal system and translated into different 
 artistic formats. At its core lies the question of the “original” and the 
 possible transfers between image\, sound\, performance\, and space.\n\n\n
 \nOver the next decade\, the score polymorphically documents traces of tim
 e\, inscribing them into itself while developing sonic and visual structur
 es that invite audiences to think about music beyond the traditional notat
 ion system. Linocut\, cyanotype\, acetone\, and other printing techniques 
 weave the score through the space in manifold forms. As a long strip\, it 
 resembles magnetic tape and also works with the same medium. The tapes are
  integrated into its design and fragmentarily interpret and accompany sect
 ions of the graphic score. Tape reels\, tape heads\, and speakers invite t
 he audience to actively participate.\n\n\n\nAt its center\, the work leave
 s room for immersive sound installations and performances in which MMM\, t
 ogether with percussionist Špela Mastnak\, explore the phenomenon of skin 
 — as a sensory field of touch and perception — acoustically and haptically
 : through touching\, pressing\, scratching\, or deforming materials such a
 s paper\, balloons\, or foil. As an interface between inside and outside\,
  the exploration of “skin” opens up a multilayered field of experimentatio
 n in which the physical interaction with sonic materials blurs the boundar
 ies between action and reception\, creating a micro-acoustic landscape.\n
 \n\n\nfree entry
DTSTART:20260823T103000Z
DTEND:20260823T110000Z
LOCATION;LANGUAGE=en:Kunsthaus Nexus
SUMMARY;LANGUAGE=en:M M M: W A S ___ 0 1\,  Partiturmeter 1 - 66
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